The Only Way Out is Through

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2/14 ESCAPISM: ‘Live the Future of the Past’

When I was a kid I went through a couple of black and white, bleep bleep, TV bat and ball games… before meeting my first true love.  Now, this is going to sound really geeky.  In fact I am using a Sharpie to write “NERD” on my forehead as I type.  Seriously.  I may take a photo!  Ha ha!

My first true love… the Atari 2600.  Okay, perhaps you had to be there to understand… but I’m going to do my best to conjure up the tastes and smells of the era.

You have to picture a time when summers were sunny.  I realise this very first step is perhaps a bridge too far… but nevertheless, A TIME WHEN SUMMERS WERE SUNNY!!!  Morning TV was filled with Roland Rat and Wacky Races and the newsagent sold Pac-Man stickers.  They came with bubble gum.  “Yeah, yeah”, I hear you say?  (just whisper it if you like).  More nostalgia.  Nostalgia, nostalgia.  Let’s all reminisce about children’s TV back when we were young.  How it was better and the school holidays lasted forever.  A time, in fact, that the lyrics to Pulp’s ‘Acrylic Afternoons’ sum up perfectly.  I know, I know… it’s all too easy to think then was good and now is bad.  But you see, I’m sure there was more sense of wonder back then.  I sometimes wonder if there is any sense of wonder now.  And I sometimes wonder if wondering about the lack of wonder is a healthy past-time to be indulging in at all!

The kids today don’t know how good they’ve got it.  A thousand channels that’ll fit into their pocket.  I lived through bat and ball, flick switches, bleeps and blops, tape machines, loading screens and visiting the shops.

A line from one of my songs that kind of paints a picture of where I’m going with this rant.  For it is the lack of wonder that depresses me.  Today’s youngsters have PS3s, Ipads and mobile phones.  They have almost photo realistic graphics.  And not only do they have all this… but they have never known anything other than this.  The children of today live the future the children of the past dreamed of.

So I had my experience with the Atari 2600.  This was a classic gaming machine.  It had wooden panels!  It had flick switches!  It had an incredibly bad version of Pac-Man… Hmmmm, we’ll gloss over that last one!  So there I was… little Emrys… playing ‘Yar’s Revenge’ at my next-door neighbour’s house.  For you see, I didn’t own an Atari 2600.  I would go next door to play it.  Back in the days when there was such a thing as a neighbourhood.  My next-door neighbour was a bin man and in a way he may have influenced the way I progressed through this world. This man had guitars hung up all over his walls.  Now, I never actually saw/heard him play them – but they were there.  Hanging like artwork.  And I didn’t really understand.  I mean… back in those days musical instruments were musical instruments.  You would play with recorders and xylophones at school.  A guitar was just a guitar.  I wasn’t into music yet.  I was just into being ‘into things’.  So I would sit there and play the 2600… surrounded by guitars.  And I loved the games.  ‘Yar’s Revenge’, ‘Superman’ and ‘some kind of haunted house game where you would turn into a pair of eyes twisting and turning in the dark’.  The graphics were terrible by today’s standards, but they were all we had back then.  And we seemed to be always on the cusp of something.

My friend’s brother had a ZX81.  I remember watching him playing ‘3D Monster Maze’ and thinking “WOW!”.  The ZX81 had 1k of ram.  1k!!!  Even if you’re not into computers and don’t really understand what I’m talking about I bet you still appreciate that 1k of ram is not very much!!!  It is actually impossibly, inconceivably small!  Then my friend’s brother bought a rubber keyed Spectrum.  The Spectrum had 48k and was pretty much the coolest looking computer of all time.  At that point I owned an Electron.  I had owned a Commodore 64 but it broke and I now owned an Electron.  Actually, speaking about the Commodore reminds me of the first game I ever played on it.  ‘Forbidden Forest’.  This game is important as I can still remember the theme tune to this day.  Perhaps the most memorable theme tune to any game, ever!  I grew up with these legendary 8 bit chip music songs.  I think the emphasis on melody that these gaming tunes nailed home inspired the young Emrys.  But… I now had an Electron.  A more educationally orientated computer – (although in hindsight still a class act in its own right).  However, the grass is always greener and I would envy the Spectrum owners.  Their games seemed so much more fun!  ‘Jet Set Willy’ and ‘Fairlight’.  I eventually bought a Spectrum and was extremely happy with it for many a year.  In retrospect I realise that my friend’s brother was playing the Spectrum on a black and white TV.  Doh!!!  Nevermind!  Ha ha.  (Google “colour clash” if you don’t get the reference!).

I kind of digress… but in any case… as a boy growing up in a time when ET was a new film – videogames mattered!  We would play a single game endlessly. One day, the next-door neighbour gave me something he had ‘rescued’ from a bin.  He did an awful lot of ‘rescuing from bins’ when I think about it.  Perhaps some of those guitars were rescued from bins.  Anyway… he gave me a vinyl LP.  (Youth of today … google it!).  Fragile by Yes.  Gate-fold Sleeve.  Beautiful artwork – and when I finally played it some time later… the most weird sound.  A sound that seemed SO dated.  It would take me years to appreciate the brilliance of that album.  But for a long time it was just ‘the album from the bin’.  I still have that album.  And it is an important album to me.

Guitars, Yes and ‘Combat’.  (Combat … Google it!) Those summers were hot and those summers were long.  We would play outside in our dens in the trees.  We would ride our bikes.  And we would play videogames when they were known as videogames.  The word video was necessary in front of the word game just to stress they were different from board games.  Board games kids.  NOT BORED GAMES!  Ha ha!

We would play our consoles and computers and escape this world.  We would go to alien planets and mow down pedestrians on city streets.  We would escape our everyday lives.  The lack of graphics meant that we used our imaginations in conjunction with the game itself.  We would disappear.  We were the generation that disappeared.  And we still do.  We disappear even today.  It may still be through a videogame… or more likely via flights of fantasy at 3am.  But we can vanish.  We can rise above the bad in society.  We can rise above the injustice we see around us.  We can step back inside ourselves.  For we are the nerds and the heroes.  And many of us are not even really nerds.  It’s just that we are so strong we can admit to indulging in hobbies that the ‘general public’ frown upon.  I played ‘Pitfall‘ and swung across a 1000 crocodile infested rivers.  Could a rioter jump a scorpion?  Maybe?  A human sized scorpion?  I think not.  I rest my case.

1/14 ESCAPISM: ‘The Secret To Stopping Time When Everyone Else is Asleep’

When I think about Try and Get Some Sleep I think about the early morning hours. For as long as I can remember I’ve loved to stay up late. Since you’ve been nice enough to read this post I figure we can talk openly here.

I don’t stay up because I can’t sleep.

I don’t toss and turn in my bed.

Just between us, I stay up so late all of the time because I’ve discovered a secret. To put it simply, sometime in the morning, a little after 3 until just before 3:30am, …time ceases to exist.

Really, it’s true.

Time is like a stopwatch that is wound sometime after 3:30 in the morning. After it is wound it continues to gather speed and power until it reaches its pinnacle at 3:00pm. That is when people are at their fastest. That is when the world is at it’s loudest. That is when you walk outside and the sun is so bright it imposes itself on you, forcefully. The brightness, speed, and power of 3 in the afternoon can leave many good people bowing their heads in submission, dumbfounded, and squinting. Thoughts zip around your head like so many bees in a crowded hive, all determined to go somewhere, but not entirely sure of why, and why is it so important again? You can’t answer these types of questions at 3 o’clock in the afternoon because you have somewhere you need to be…and fast!!! People spout out a lot of nonsense around this time because the words come and go so quickly that they are forgotten before they’re even spoken out loud. 3 in the afternoon is the best time to quickly shout out all of your nonsensical, boring, meaningless, and surface value ideas…and……phewwwwwwwmmmmmm….see, they’re already gone! This is why TV is at it’s most vile at this time. Shows this bad need to be over fast, and as I said, there is no faster time than 3 o’clock in the afternoon.

Then, sometime after 3:30pm time starts to wind down again. You may not notice this at first, but at around 4pm you may have found that you can catch a stray thought here, a stray thought there. The rest of your mind is still supercharged, but it is weakening slowly. By 5pm you may find that you’re eating dinner and you have actually been able to catch enough of your thoughts to ruminate on what the hell just happened to you. However, it is still not quite there and that is why when people you love ask you how your day was at 5pm, you say short, succinct things like, ‘fine’. You see, your thoughts at 5pm are like a fish you have caught, but it’s still flopping around the boat too much to actually get a hold of enough to express out loud. You may find that the sun is really screwing with you now, aiming straight for the eyes, but it’s only because it knows that 3pm is over so it’s giving you all it’s got before the end. Don’t worry, it’s all bravado.

Another mistake people make is thinking that time stops at midnight. Surely the clock is winding down, but midnight just sounds better in a poetical sense. People like a good beginning and end, and you know, with the twelve being there at the top of the clock it tends to suit most peoples love for symmetry I guess. Plus, lets face it, most people are either in bed, drunk, or high by the time 3am rolls around so twelve is as close as they get to infinity while still clear headed.

However, if you happen to be sitting at, let’s say a computer, or thinking, or working on some creative work at 3 in the morning you’ll know what I’m talking about. Time slows, slows, slooowwwssss, and then……you find yourself outside yourself. It’s uncanny. You make all kinds of rational and wise decisions on things you need to change in your life. The world seems to become somehow malleable so that you just reach out and shape it into ‘something’ that only makes sense to you between 3am and 3:30 in the morning. You live your entire life in your head, then you create another world to live another life in, and then you smile and reminisce about those lives that you’ve made and you grin again, slowly taking long, satisfied sips of coffee. Finally, you realize that you are needed back inside of time because that is the natural order of things so you sigh, rub your eyes, and look at the clock, which will always be waiting for you at 3:30am. You then nod, and allow the minute to pass…

The next morning you may arrive at work and someone will ask you how you’re doing. You’ll want to tell them about the worlds you made and the experiences you had and how you found a way to cheat time and death. However it will be impossible because scientifically it is impossible to truly express infinity within finite time, especially at say, 9 o’clock in the morning. So you give up and you say, ‘fine’ and leave it at that.

They may then tell you that you look tired and that you should ‘Try and Get Some Sleep‘…

Album Finished, Tracklisting, and I’ll Tube if Youtube

Hello Internet,

It’s been a while! Let’s start with some really good news! The album is finished! We’re sending it out and as soon as we hear back we can tell you when the release date will be! We plan on starting with i-tunes and amazon and then going from there with physical copies and one day, maybe …vinyl? (I hope!)

We started writing songs as a band back in June of 2010 with ‘Where We Go Next’ and we ended in June of 2011 with ‘From Shipwreck to Shore’. The final album will contain all 14 songs we’ve written as a group. That means no one has to worry about their favorite song not being on the album! Here’s the tracklisting:

‘Escapism’

1. Try and Get Some Sleep
2. Pitfall
3. Escape Plan
4. The Calm and the Storm
5. Life Will Be the Death of Me
6. Ready, Set…Explode!!!
7. Mean Machines
8. Feel
9. A Thousand Steps
10. Chasing Chaos
11. Where We Go Next
12. All These Secret Things
13. From Shipwreck to Shore
14. When the Start Begins*

*’When the Start Begins’ was formerly known as ‘Twelve’

We actually tried to take out songs, but we couldn’t. We like all of these songs too much to choose!

So Emrys has re-mastered all of these songs since you heard them last on soundcloud. Do you want to hear what they sound like now?

go here: http://www.youtube.com/user/TEHIband  …or just click here

I decided to go ahead and make a youtube page for us today. On the link I just gave you, click ‘playlists’ on the top right and there you’ll find all of the songs on Escapism with some artwork, all listed in the order they’ll appear on the album. The sound quality will certainly be better when you buy the album, but trust me, even on youtube, you can hear the difference!

Right now I’m working with the very talented Nick Ummarino to make a music video for ‘Escape Plan’, which will be our first single. We’re also experimenting with how Emrys and I can play live, stripped down versions of our songs similar to some of the videos Emrys has on the password protected section of our site. It’s difficult when Emrys and I have literally never been in the same room together, but we’ll make it work!

This is just a taste of some of the things we have in store for you. Thank you for being patient with us! We’re trying very hard to make it all worth the wait!

In the meantime, while you’re waiting, why not listen to the final version of Escape Plan or maybe The Calm and the Storm? ; )

http://www.youtube.com/user/TEHIband

…Bill

Mastering Escapism


I am in the process of mastering our album.  Mastering is basically the process of getting an album fit for public consumption – making sure the music sounds like an “album” rather than a “collection of songs”.  I have currently got a pretty nearly finished version of the album in my car.  I’ve already tested the album on the studio speakers and on top quality headphones.   I’ve tested it through tv speakers.  The car is the true testing ground for me.  The place where I listen to most of my music.  If it sounds good on my car stereo it’ll sound good anywhere! Anyway.. that’s where I’m at.  Escapism is edging closer to completion.

 
If you want to read about mastering in more detail check out: http://confessionofthewholeschool.com/2011/06/20/mastering/

Otherwise… just wait for us to announce a release date!

Vi Vi Introduces…

We had a great mention on Vi Vi’s “introduces” slot.  Always nice to have a “big-up” no matter now small.  Does that make any sense??? Ha ha!

When the start begins?

When the Start Begins is the final track on our album Escapism.  Here’s a different take on it – the mandatory acoustic version!

Something for the weekend Sir?

I thought I’d give Try and Get Some Sleep a quick run through.  Not a perfect take by any means.  Bill wants me to point out that he sings the song on the album… and I am in no way pretending to be him.  I am me. He is he!

Producing the Eleventh Hour Initiative

It’s late again.  And very hot.  It has been like a tropical heat here.  Like stepping off the plane in Cyprus or something. That sheer wall of heat!  It’s late.  I’m sitting here in my studio.  Sweating.  And so I begin to type… we could be here for some time!  Ha ha!

I think I’ve been ‘producing’ music now for about 20 years.   I mean ‘producing’ in the loosest sense.  I, like many other musicians, started out with tape.  First ‘tape to tape’ recordings on a double cassette player.  There are some of you out there who will have absolutely no idea what I’m talking about.  And I’m not about to explain myself.  Let’s just say it was an extremely rudimentary form of getting more than one ‘layer’ of sound recorded in some form.

Then came the ‘4 -track’ recorder.  I had a battered old Tascam.  In fact I’m pretty sure I still have it somewhere. This was a machine that let you record 4 tracks (no shit Sherlock!) on a normal cassette tape.  It did it if I remember rightly, by using both sides of the tape at the same time.  This meant that if you played the cassette in a ‘normal’ player, 2 of the tracks would play backwards.  This in itself, if manipulated correctly, could give magical results for certain songs.  I trace my constant experimentalism back to those archaic days!  And the technique, used by mistake, never did Led Zeppelin any harm!

In those “good ol’ days” the art of bedroom production was a tight-rope.  You see you could never REALLY produce anything more than a demo of a song.  It was always full of hiss, and the 4-track system meant that recording something like a full drum kit varied from “problematic” to “impossible”.  Yet those ‘demo’ efforts held their own in some ways.  You had your demo, and that demo then had to be ‘lived up to’.  The next step for every musician at the time was the journey into “the studio”.   And more often than not, after you’d spent all your hard earned pennies, you’d listen to the final product and say “Hmmm… Not as good as the demo is it?!?”.  Ha ha!

Anyway… The Studio.  That ever so magical place.  The theatre of dreams!  Or bloody nightmares!  Ha ha!  I remember recording one of my first studio sessions.  We were recording a song that was supposed to be pretty heavy.  Heavy and foreboding.  It had been a live favourite.  So we ventured into the studio to record this killer rock song.  But… I decided on the day, (or was persuaded… I honestly can’t remember now!) that I had to sing this song with a real ‘gruff rock vocal’.  Now… anyone who has heard me sing know’s that I’m not exactly a Death Metal singer!  Ha ha!  I’m more your Damon Albarn than your Max Cavalera.. but anyway, sing it gruff I did!  With devastating results!  I remember the band playing the finished recording to a fan at the time.  His face dropped.  He just looked so disappointed… “What have you done to it?”  he asked.  “You’ve just ruined your best song!!!”.  Ha ha!  We were gutted!  And it was all my fault!  (well… and the drums were shit, the guitar solo was shocking and everything else generally stank the place up!).  But my point is… back then you had to be completely honed.  Every member of the band HAD to know his shit inside out to save the day.  For these were the times of recordings costing you “by the hour”.  A concept lost today.  For today is an era in which I can tinker to my heart’s content.  Back then a recording studio could kick you in the teeth if you weren’t ready for it.

So, I learned from those initial mistakes.  For a start I left the band! 😉  Found a better drummer.  Learnt everything totally prior to recording.  And I was a perfectionist.  I spent hours on every single part.  And remember, by this time I was playing all the instruments bar the drums.  I would write everything down religiously. I would attend the studio completely prepared.  Now, I’m not saying that I got things done in one take.  I have never been a one take kinda guy!  Understatement!!!  But I was certainly prepared.  And the final recordings, I think, still show that preparation.  The album I’m talking about ended up being the only ‘album’ by my band/solo project Alexi in Winter.  It was recorded at a time when I was very into acoustic music.  And indie rock.  And rock.  I was diving deeper into orchestral accompaniment and epic, cinematic sounds.  I was taking my first steps towards making music an ‘experience’.  And I learned the production techniques every step of the way.  The Alexi in Winter album was the last time anyone else produced my music.  Since then it has been me all the way.  I stand and I fall by what I do.  I can blame no-one else.  Success or failure is all down to me.  The burden rests on my shoulders!  Ha ha!

I’m probably wildly digressing here… but that was the caveat of my opening sentence pretty much.  It’s late and it’s hot!

So I have a solid ten years of ‘professional-standard’ solo production under my belt now.  I have produced a whole solo album.  I have tried to remain on the cutting edge of music production.  The idea of staying on the cutting edge is a minefield in itself.  As I see it there are two ways to go.  You can listen to every new cutting edge band and try to stay one step ahead… or you can listen to nothing and steer your own course.  It’s probably not going to surprise you to learn that I steer my own course.  During the Brit-pop era I was the guy who had every new single by every new band.  I was the guy walking around wearing the “I listen to bands that don’t even exist yet” t-shirt.  I WAS THAT GUY!  So I can say the following knowing that I have been there and done it:  I try to avoid current trends.  I avoid bandwagons.  I want to do my own thing.  I want to try my own sounds, my own ideas.  I don’t want to be influenced by the sound of the drums on the new ‘Siberian Apes’ record.  Do you understand what I mean?  It’s not that I think I’m too cool for school!  It’s that I feel jaded by the passing bandwagons.  Their cart wheels roll over my toes and break my spirit.

Anyway… ha ha!  So, hmmm.  Where was I?  I built my own recording studio.  This was an important step and has been the most creatively liberating thing I have probably ever done!  I then got together with Bill last year and we decided to record an album.  We worked first on a song called Where We Go Next.  Now… I’m not here to talk about the content of the songs too much at the moment.  I’m more interested in describing the sound I was trying to achieve.  For you see, very early on I had to settle on a ‘sound’.  I was producing music for the very first time that I had not provided the lead vocal for.  I have pretty much sorted out what MY vocal sound is.  I’ve had years to work on it.  But all of a sudden I had to work out what to do with Bill’s singing.  He has a style all of his own.  Nothing like my vocal nuances.  He has his own recording techniques and his particular way of singing.  It could have been a problem.  But I hit upon an idea.  I would use my “basking in music’s past” and avoiding “music’s present” to produce a sound reminiscent of the ’60s, but still firmly rooted in today.  For me, this concept is perfection.  I hold aloft Pet Sounds, Beggars Banquet and Sgt Pepper as the pinnacle of great albums.  My my, how cool would it be if I could bring that spirit into 2011?  I remember writing to Bill and telling him that I’d decided I was going to give his vocals a kind of ‘Head‘-era Monkees treatment.  Now, that could have frightened the poor sod off!!!  But luckily he let me roll with it.  So I went down the avenue of a dreamy, trebley, floaty vocal for the entire album.  It is the constant.   The music may veer wildly from pop rock to epic prog rock… but that vocal sound keys it all together.  A strong glue!

Cool… I had the foundation of the ‘sound’ of the Eleventh Hour Initiative.  This enabled me to write a collection of songs that I maintain are the most coherent and focussed of my career.  I’m not going to talk about specific production techniques… coz they is a sekrit!!! (because they are a secret). But I thought it would be interesting to mention how the majority of the album was formed.  I wrote most of the songs on the bass guitar. Now… to any non-musicians out there this may mean jack shit to you.  But any musos will be nodding their heads that this is indeed a little out of the ordinary.  I don’t have any particular explanation.  It’s just the way I did it.  And it’s another factor that I feel completely influences the musicality of the album.  For this is a bass and drum album.  Everything else is secondary.  This album is all about the sound of the drums… and the interplay with the bass.  This album is something a little different.  You don’t even have to like it (although I have my fingers crossed that you will!), – but I believe you will get a lot out of simply listening to it.  Bass, drums and Bill’s exciting vocals towering above the skyline.

Bill has spoken about the lyrical themes of Escapism.  Well… in many ways the music echoes the themes.  Songs such as the Calm and the Storm and Life Will Be the Death of Me embody escapism within their musical structure.  Escapism has been an album where I have finally realised I don’t have to follow any rules.  Rules can be good.  Rules can be bad.  But Escapism, at its best, unshackles itself from the straight-jacket of convention.  Escapism is the continuation of the music I began with Alexi in Winter all those years ago.  But I have raised the bar.  A lot!  I am waffling now.  It is a hundred degrees in here!!!  And late.  Bedtime I think.  Apologies for the rant.  I’m not even finished.  But for now… I bid you farewell!  Emrys.

‘His Name is Mr. Ed (Part 2) – This is the End, Beautiful Friends’

(cont. from part 1)

In all seriousness, as much as I make fun of Edward Bernays, he obviously knew what he was doing. His dream was to create a mentality in society where desires trump needs, or to put it another way, a society of escapism. He never let the facts get in the way of a good story, and if he couldn’t convince you that cold was hot, he’d convince you that the temperature wasn’t really that important anyway.

You don’t have to look very hard to see his fingerprints on the world we live in today. I’d give you examples, but you’re reading a blog that’s essentially a commercial for our album, so I think you get the idea. ; )

Whenever I’ve read about Bernays and public relations I’m always surprised by how much even the people who hate this man share his view points. Bernays believed that society as a whole was stupid, dangerous, and needed to be controlled. It’s surprising to read people who are against this way of thinking, yet still regard society in general as ‘dumb sheep’. I don’t agree with that viewpoint. I don’t think everybody’s an idiot. I find it hard to believe that people watch commercials and think ‘yes, I believe that’s true’ (or politicians, or tv shows, movies, etc..) I think what really happens is that we’re so surrounded by subterfuge that it can be extremely difficult to tell the difference between the truth and fantasy sometimes. As somebody that’s looking for fulfillment, it can feel like you’re surrounded by nothing but mirages sometimes. We live in a world where we seem to be much more interested in the men and women who play important historical figures on tv and movies, than the actual people they’re playing, let alone the ideas that those people represented.

So where does that leave us? …and what does all of this have to do with an indie rock record?

Around the time Emrys and I started writing this record I was feeling pretty defeated in general. In my own limited view, I saw the world as this huge machine, and when you don’t know where exactly you fit into that machine, it can be easy to feel like you’re getting grinded up by all the cogs. Somehow, I began to find solace writing the songs that would make up ‘Escapism’.
In the same way that someone like Edward Bernays could use metaphors to shape public perception, even if it was irrational, I found that I could use metaphors to shape the way I saw my own life.

Some people have therapists, I write songs.

The difference between me and someone like Bernays, is instead of trying to change my perception to make money or power, I tried using it to help myself find whatever it is I’ve been looking for all this time.

who knows where to go or what it is?’ (Escape Plan)

I don’t want to go through each song with you and pull it apart because that takes some of the fun out of it, but I’ll use ‘Escape Plan’ as an example of what I’m talking about.

I was working my second job, midnight shift. It was 2am, and let’s just say I didn’t want to be there. It was a job that I was over qualified for, but I needed to swallow my pride and work because I needed the money. The people there were nice, but I hated it. I felt ashamed, defeated, and depressed. I felt like I was 16 again, it was 2 in the morning and I was mopping the floor at a convenience store.

Waiting in this line I’ll try my best to help

Whenever you have to work or be somewhere that you don’t want to be you tell yourself that you really don’t belong there. You think, ‘it’s only a matter of time’. Sometimes though, reality hits you with a right hook and you wonder if maybe that’s exactly where you belong.

Hopelessness – cue violins ; )

So I mopped the floor, and I scribbled lyrics onto a paper towel. I imagined I had some sort of secret plan of action to get me out of there.

We’ll make our Escape from Society. Kept under wraps/waiting patiently

In truth, I sort of did, but this was grander than that. What sort of plan would that be? How would I implement it?
As the song continued to take shape a funny thing happened.

I started to believe it.

I started planning.

I’m not saying I sold everything I had and quit my job, I’m saying I had this strange confidence come over me that helped me to believe I was going to get out. I was going to find what I was looking for. The song didn’t magically lift me out of my circumstances, but it helped give me the strength and perspective to try and move myself a little closer in that direction. It sure beat the cynicism and hopelessness I was feeling before! The daydream may have been overly idealistic, but the real things it was causing me to do weren’t.

So I’m a millionaire now, right?

Isn’t that how these things end?

Sorry, but no. I will say I don’t need to work that second job anymore.(woohoo!!! ..fireworks, confetti)

As the album progressed, it became more and more about helping me view my life through a different perspective. Not a perspective that pretended everything was ok, but one that helped me get to a place where it just might be. It’s helped me to shape my perceptions, instead of simply allowing them to be shaped, and I hope it can help you do something similar.

As I said in my first blog, if you like our songs because they sound good, or they make you feel good, then that makes me happy. That being said, though I write these songs to get my own head around things, I also have the hope that for those who dig a little deeper, it just may help others view their lives in a bit of a different way as well.

I learned from Edward Bernays that perception can be a strong force in shaping reality. Life and circumstance taught me that it just may be possible to be sincere and idealistic in a world that eats good intentions for breakfast, and still survive, possibly flourish.

There are many who are still searching for the wise man on top of the mountain, just like I used to. I’m sorry, I don’t have any answers to give you, but I do have a collection of songs that helped me find faith again. What that is worth, is up to you.

With all my ranting in these last few blogs you can probably understand why it’s important for me to be as honest as I can with our ‘promotion’ of this album. That being said, I’m considering making the tagline read

‘Escapism: Cause I Don’t Want to Mop NO MO’ haha

That’s the end of my blog for now. I hope my ramblings weren’t too bad to get through, and I appreciate you taking the time to read. I’ll certainly still be active on the site, but no more weekly blogs from me

(wohhooo!!! …fireworks, confetti)

Goodnight and Good Luck Internet People…

Bill

‘His Name is Mr. Ed’ (Part 1)

Last week we began talking about how the world seems off, and my belief that a man named Edward Bernays has something to do with it. Is he the whole reason the world seems off, you ask? No, it’s a lot more complicated than one man, but this is a blog on an indie rock website, cut me some slack! If I could dole out those kinds of answers I’d probably be living on top of a mountain somewhere answering mysterious, riddle-like questions from wayward travelers and truth seekers.

Where was I?

Oh yes, Edward Bernays…

Edward Bernays possessed what many ancient philosophers referred to as ‘dumb evil’ to such an extent that the mere mention of his name can cause good men to yelp involuntarily whenever he is brought up in polite conversation. Writing a few paragraphs to give you a brief history of the man makes me feel too much like I’m writing a term paper so let’s get through it with some bullet points, shall we? Quick! Like a bunny!!!

-Bernays was Sigmund Freud’s nephew. He’s also considered to be the father of what we now know as public relations.

-In following with his uncle’s thinking, Bernays believed that crowds reacted more to irrational impulse than to rational thought. One of his most famous examples of this was his promotion of cigarettes to women in 1929. At the time, there was a stigma against women smoking and Ed was approached by a tobacco company to try and reverse this trend. His idea was to pay young women to ‘defiantly’ light cigarettes in the middle of the May Day parade. He tipped the press off and suggested they refer to the cigarettes as ‘torches of freedom’. The tactic worked. Cigarette sales rose 30 percent among women shortly after the parade. Bernays had succeeded in getting people to associate smoking with women’s rights. ‘That’s ridiculous!’, you say. ‘What do cigarettes have to do with women’s rights?’ nothing at all my friends, nothing at all.

– Bernays was well-known for having a big, dumb head to match his stupid face.

– Bernays once said, and I’m not making this up, that he made up the phrase ‘public relations’ because the Germans had given the word ‘propaganda’ a bad name.

– Google search ‘Bernays, Guatemala’, but be warned, you may yelp…

– “Those who manipulate the unseen mechanism of society constitute an invisible government which is the true ruling power of our country. We are governed, our minds are molded, our tastes formed, our ideas suggested, largely by men we have never heard of. This is a logical result of the way in which our democratic society is organized. Vast numbers of human beings must cooperate in this manner if they are to live together as a smoothly functioning society. In almost every act of our lives whether in the sphere of politics or business in our social conduct or our ethical thinking, we are dominated by the relatively small number of persons who understand the mental processes and social patterns of the masses. It is they who pull the wires that control the public mind.” (Edward Bernays, ‘Propaganda’)

“If we understand the mechanism and motives of the group mind, it is now possible to control and regiment the masses according to our will without them knowing it.” (Edward Bernays, ‘Propaganda’)

….

‘So what does all of this have to do with the price of eggs?’, you ask.

Over the last few blogs I’ve talked about all kinds of seemingly unrelated things. This is a blog about a music album, right? What does all of this have to do with your album?
Starting with Part 2 of this blog(later this week) I plan on explaining how all of these things relate to our little album. We’re not quite done with Bernays, but now we’ve got all the grunt work out-of-the-way so we can just talk a bit next time. I’m only planning a few more entries for this ‘Escapism’ blog(part 2, and maybe one more after that). I’ll certainly try and remain active on the site after this, but at this point, I feel the need to assure you that I will not be ranting on indefinitely.

I appreciate everyone who has taken the time to read my thoughts over these past few weeks. Until next time http://www.people. ; )

http://www.youtube.com/watch?v=V0OrT-8gXMs